Rogers “Dynasonic” Snare Drum Reissue

 

An excellent demonstration of one of the greatest snare drums of all time by Sweetwater’s Nick D’Virgilio.

I want one!!!

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Progress so far..

Howdy!

How’s everyone doing out there in the real and the virtual and virtual-real world?

This will be a short post, but some interesting things are coming up in the second half of 2018.

By the way, I’ve been thinking about which snare drum to get next. The Rogers brand has been recently resurrected and their legendary Dynasonic snare drum has made a huge comeback at recent music trade shows in the US. The Dynasonic to my ears are as every bit as great as my first love when it comes to snare drums, the Supraphonic by Ludwig (I own a 1969/1970 model bought on eBay.) One great example of just how good the Dynasonic sounds are on Buddy Rich’s recordings in the 1960’s and 1970’s before he moved to Ludwig. Another great example is the “Get Ready” album by Rare Earth. Hear it for yourselves on Spotify or iTunes if you’re interested. General reviews of the new Dynasonics have been very positive, so it’s likely my next investment. It MAY also be the last snare drum I’ll every buy (as we always would say, hahahaha…)

As for practice, I’ve been continuing my focus from last year on traditional grip and both heel-toe and slide techniques for bass drum. Second on the list is also learning how to pull off some fills in quintuplets and septuplets ala Vinnie Colaiuta, but that’s a farther secondary priority.

I’ve relooked recently into my technique again and had to make some changes to how I move around the kit – how hands are positioned from drum to drum – to improve fluidity.

I’m also scrutinizing my timing when I improvise fills – that means I  go for a fill idea spontaneously without having worked it out before. My inspiration for this are players like Ian Paice (Deep Purple) and many great players in the Jazz/Fusion style who can effortlessly whip out fills with superb timing, feel, syncopation, fluency, and fluidity. Their psycho-motor reflex and control are on the highest level possible. One area that I found I could really hone in more is to exhale through my fills so that the time feels better.

So this is it for now. Best wishes for the rest of the year!

Merry Christmas and Happy 2018

Hi all,

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This is a short post to wish all of you compliments of the season and best wishes for the new year.

Thank you for your support on this blog and for engaging my services in Music. I look forward to another fruitful year just as 2017 has been.

I wish that you and your loved ones be blessed abundantly in 2018 and may all your goals be fulfilled.

Rock on,

Jason Cruz.

2017 Updates

Hi all,

I am so glad to be back here with another post since my last one in February. Nope, I have not been under a rock or locked up in an ivory tower all this time. Instead, I have been having a great time accomplishing some stuff I always wanted to accomplish in my music work and in my part-time university studies, which I am about to complete the first year/first semester for.

2017 has been great to me so far, and I am so grateful for the new friendships I have forged through music, through my part-time studies, and through some interesting chance encounters. It has been certainly a more productive year than 2016. I have a good feeling that the new opportunities I have taken on this year will lead me down a richly rewarding path in my life – one that I think will actualize who I really am and what is truly my calling.

Some highlights from this year so far:

  1. Playing some really good gigs with some excellent musicians, most of whom come from overseas. These musicians include: Sean (SG – Gruv Therapy), Kevin (SG – freelance guitarist subbing at Brix. excellent and versatile), Manson (SG – bassist), Gavin (SG – The High Rollers), Paul (SG – The High Rollers), the two Patricks (SG – The High Rollers), Jasmine (SG – Sang with The High Rollers), James (SG – The Revival Band), Ricky (SG – The Revival Band), Martin (SG – The Revival Band), Peter (SG – The Revival Band), Christo (Australia – Stingray Martini), Harley (Canada – Stingray Martini), Daryn (New Zealand – Stingray Martini), Eirik (Norway – bass player I very recently connected with. Great Funk and Rock bassist), Phoenyx (USA – Brix resident band), Tre (USA – Brix resident band), Yendi (USA – Brix resident band), Inga (New Zealand – Brix resident band. Though I only did two gigs with her as she finished her contract after the 2nd gig), Kyle (USA – Brix resident band), Matt (USA – Brix resident band), Mark (Canada – Brix resident band, bandleader),  Jocelyn (SG – actually I started working with her last year. Very good singer and multi-instrumentalist. Check out her work with The Dimension 5). Sadly I have to say goodbye to Fran (Belgium) who has to relocate to Geneva as her husband was recently posted there by his company. I worked with her on a couple of Top40/Rock gigs last year and this year. She was a great singer – versatile, powerful, and soulful – and her professionalism is something I greatly respect. I wish her all the very best.
  2. Part-Time University Studies which started on July 28th 2017. This is one of the best decisions I ever made in my life so far. It was not easy to get there, but I am getting to do it now because of help from so many sources, it is mind-blowing. Thank you!! You know who you are!! I have great lecturers and my fellow schoolmates are generally cool people who come from different professional backgrounds and walks of life to study this course that I am taking.
  3. My last NS Reservist training cycle!! 10 years completed!
  4. Making some important connections for future work.
  5. Some of my drumset students achieving some personal breakthroughs in their drumming studies, namely Paul and Kyan. Paul is a working adult with a young family and Kyan is a primary school student who has been taking lessons for about 2 years now.
  6. Last but not least, The Bellamy Brothers concert that I opened for with The Revival Band (Ricky, James, Martin, Peter)

What I have been practising lately:

  1. Jazz drumming – improving my time and sound on the ride cymbal, developing other comping ideas, soloing, and brush work from time to time.
  2. Basic Metric Modulation
  3. Refining my traditional grip – I was recently able to play clean rim shots with the trad grip in my live work. YES!!! I am now comfortable playing Rolling Stones’ songs for example using the trad grip like Charlie Watts does, and trying to cop his feel – which is not easy.
  4. Stick Control, Accent Control, Odd Subdivisions including Quintuplets, Septuplets, Nine-lets, Ten-lets
  5. Improving my Funk Grooves – mostly listening to some Funk drummers that I am focusing on like Steve Ferrone, David Garibaldi, James Gadson, and Bernard Purdie. I have been listening to alot of Steely Dan also – the whole discography – and have developed a newfound love and appreciation for their early 1970’s work and that of their original drummer, Jim Hodder (R.I.P). He had a heck of a groove.

So there you go!

I will be back soon for some more updates. Till then, take care and keep groovin’…

 

 

 

 

 

 

Wise Words From Ian Paice

I just re-read a feature interview from the October 2014 issue of Modern Drummer magazine with the legendary drummer from Deep Purple, Ian Paice. He’s a huge hero of mine.

Here’s what I think is a great piece of advice for younger drummers that he shared, given his 50+ years being a professional musician in one of the iconic Rock bands of the world:

“If you like playing drums, do it because it makes you happy. If you can find a few friends around you, form a little band. If it goes somewhere else, treat it as a bonus. When we started, we never thought that it would be our careers. We were just kids having fun, and that was enough. For the few of us who had it and had the luck, it became something else. I’ve said before, success is a strange thing. You go chasing it and you won’t find it. But if you stay true to yourself and enjoy yourself and make yourself happy, you might find that success taps you on the shoulder from behind. But you can’t force it.

There are some fantastic young players around the world, and it seems that the industry’s against them. They can’t be pigoenholed; they can’t be put into little pockets of music. The industry doesn’t want to be bothered. Play what you like, play what makes you smile, play from your heart, and just keep on doing it and enjoying it. And if you never leave your garage – if your drums stay in your garage and you just batter the crap out of them – the very least you can do is make yourself smile, because you still have something that most of the world doesn’t have or understand.”

– IAN PAICE, DRUMMER FOR DEEP PURPLE, AND ROCK LEGEND.

The Bellamy Brothers’ Debut Singapore Concert, 23rd Jan 2017

I had a blast last Monday being part of the opening performance for the Bellamy Brothers’ debut Singapore concert on their current tour.

The Bellamy Brothers and their band were really nice to us, and we thoroughly enjoyed their excellent, world-class playing. A big highlight for me was chatting with the drummer, Rocky Marvel, after the show, and for him to tell me that he liked my playing, was beyond awesome. He was so gracious in answering a couple of questions I had about his drum setup and it was just two drummers exchanging thoughts about the instrument we both love to play. Before our conversation and photo taking were over, he gave me the pair of his signature model sticks that he used that night and his namecard! How cool is that?

I wish the Bellamy Brothers safe travels through the rest of their tour and to many more years ahead of fine music they have to give.

I wish to thank the following:

The Revival Band – Martin, James, Peter and Ricky.

The Kallang Theatre Management

The Moulmein-Cairnhill Ukelele group

Thank you all for your wonderful warmth and hospitality. It was a joy and honour to play alongside all of you. I hope we get to do this again!