drum lessons

A Masterclass Lesson With John JR Robinson

https://www.zoom-na.com/news/john-jr-robinson-zoomed

If you don’t know who he is, you’re missing out alot. Wiki on him and look at his credits, then listen to those recordings, and you immediately understand why he’s one of the most sought-after session drummers in the world for the last 40 years.

This masterclass (click on link above) gives an insight into the main ingredients that John identified and developed over the years to become one of the great musicians.

Enjoy.

Gabriel Liew, another great student achieves distinction in Grade 7 Trinity/Guildhall Drumset exam

Every once in a while, a student comes along who is really hungry to improve in his/her craft and become a better musician. He or she sees Music as a career and not merely a hobby. That’s not to say that there’s anything wrong with viewing Music as a hobby, but Music is so much more…It’s life…

Gabriel is one such student. He listens, he practices his butt off, and he applies what he learns effectively.

So, a big congratulations to you, Gabriel. You deserve this fantastic result.

Gabriel is currently studying for a diploma in music and audio technology at the Singapore Polytechnic. He also has his own youtube channel and soundcloud page:

youtube.com/user/Gab12357

soundcloud.com/gabriel-liew.

Image of Gabriel’s exam transcript shown here with his kind permission.

 

 

TED Talk: Learning a Musical Instrument and Brain Development

http://ed.ted.com/lessons/how-playing-an-instrument-benefits-your-brain-anita-collins

Old stuff but timeless information on how learning to play a musical instrument positively affects your brain.

I’ve certainly learnt so much more about myself playing the drums and that has helped me build a rather successful career overall. With the ups and downs that come along with the music business, I developed tenacity, focus, sharper intellect, better problem-solving skills, and above all versatility through my intensive study of various musical genres and their drumming styles.

Learn a musical instrument today! Take the time to find out which of these instruments resonates with you. You don’t have to aspire to be a pro, although that would be awesome.

If drums is your thing and you’ve never ever sat behind a set of drums, time to take a trial lesson. Call me at 98291901 or email me at treshombres6@gmail.com for more information.

 

 

 

 

 

 

 

 

 

To Fill-In Or Not To Fill-In??

I wanted to write this short post to address the above question that plagues the minds of many beginner drummers.

The only advice I’ll offer is this:

STEAL ideas from other drummers. Yes. STEAL. Then, over time and experience, make those ideas your own.

I am assuming you already understand the function of the fill-in and its musical purpose. Fill-Ins have to be CLEAR, IN TIME, CONFIDENT, and APPROPRIATE to the music you are playing.

Your teacher can only show you the mechanics of how to execute a fill-in. In lessons introducing fill-ins you’d go through 4 bar, 8 bar, and 16-bar exercises for this, meaning that you fill-in on the last bar of each sequence whilst you play time for the rest of the preceding bars. To play fill-ins with taste and musical purpose however is something you need to develop largely on your own over time.

The only ways to develop confidence and tastefulness in your fill-ins are by:

1) Listening to tons and tons of records and getting ideas from the drummers who played on those records. This way, you’ll gain rhythmic vocabulary, phrasing, as well as learn how different drummers approach fill-ins by way of where they put their fill-ins within the song.

As you analyse the above things, ask yourself why did these drummers phrase and put the fill-ins in places where they did. Discuss these with your teacher and your drummer friends as well. I do alot of these type of discussions with my students, and these are some of the most fun parts of teaching for me.

2) Experimenting with those fill-in ideas on the drumkit once you’ve got them transcribed (either by writing it down or by ear)

3) Over time and experience, finding variations on those fill-in ideas to make these your own ideas.

There is no other way about these above 3 steps.  Use this guideline for the rest of your entire playing career and you will reap amazing results.

If you feel you need a couple of lessons to help you get started on fill-ins, you can contact me at 98291901 or email: jason@pulseofmusic.com for more information.

Cheers and Keep Drumming!

Velocity and How To Use It To Your Advantage In Your Drumming Technique

Dear Drummers,

This short post is aimed at those of you who are feel you are working too hard at the drumset to execute the ideas you want to express musically. Oftentimes, it is due to a lack of understanding of how fast or how slow we are throwing the sticks down to the drum or how fast or slow the pedal is striking the bass drum.

I wish to break down in this post the concept of Velocity as applied to drumming technique:

Velocity is generally defined as “the speed of an moving object in a given direction”.

Velocity has a direct influence on 1) the type of sound you produce on the drums, and 2) the degree of tension and relaxation in your technique.

i. Velocity Affecting Sound Produced On Drums:

When a stick is thrown slowly on the drum surface to produce a sound, the sound quality of that sound is thin. You hear more of the batter head of the drum along with the vibration of the snare wires against the resonant head (bottom side) of the drum, and less of the sonic qualities of the drum’s shell, the resonance of the metal parts, and the stick.This works well if you are playing rhythms that are less dense, but needs to be played with less fuller sounding tones, at slower speeds, and also at quieter volumes.

Throwng a stick down to the drum at a faster speed however will produce a fuller sound where you also hear an increase in volume. There is greater tonal detail of the drum which includes more resonance from the drum shell, the metal parts, and the stick itself (assuming you don’t grip the stick tightly). This works well obviously for louder volumes but also for quieter rhythmic passages which may require speed and greater dexterity.

As you can see here these differences in sonic qualities can be effected at ANY volume. Thus, for that matter, stick height and velocity are totally two different concepts but when combined together, you will not have to play in inefficient ways such as:

1) Lifting the sticks too high off the drums for volume and power

2) Whacking the drum harder to produce fuller sounds.

II. Velocity Affecting Technique

“Newton’s Third Law Of Motion: For every action, there is an equal and opposite reaction.”

The above law of physics is the governing principle to this concept of velocity affecting technique.

We all know that good technique involves the rebound of the stick or the bass drum beater so that you do not have to do the extra work of picking the stick or the bass drum  pedal beater back up before making the next stroke. The question is how much rebound from either are you getting as leverage for the effort you put in?

Leverage is defined as “the mechanical advantage or power gained by using a lever.” “Lever”, in the case of drumming technique, is the use of the different joints in your hand  (wrists, fingers, elbow, and shoulders) and your feet  (ankle, knee, and hip).

It is very important to understand that a higher degree of relaxation at any volume and at any tempo when using either of these joints in your hands and feet will result in a greater amount rebound from the stick or the bass drum pedal beater, which will thus provide leverage for the effort you put in. Again, if you do it correctly, the effort you put in is not as much as you would think. Ideally, you would want a 50/50 balance between the effort you put in and the leverage you get from the rebound. 

How does this work?

If you throw the stick down slowly, the stick will not have enough rebound to bounce back up quickly. This means you will still have to pick the stick back up. Throwing the stick down faster instead with a relaxed grip allows the stick “breathing space” within your hand to rebound quickly. This allows you to play more efficiently and with less effort at any volume or tempo. The above principles also apply to bass drum technique.

In conclusion, depending on the sound you want to achieve, the density of your rhythms, and the speed and volume at which you play those rhythms, varying the degree of velocity will add flexibility to your existing technique that will eliminate doing everything from just one method, which can physically hurt you. 

Please bear in mind that you cannot have just one way of doing everything you want to do on the drums if you want efficiency and relaxation.

If you’re in Singapore and would like to take a lesson with me on this, I can be reached at: 98291901 or treshombres6@gmail.com.

Please also check out these great instructional books and DVDs on the subject of drumming technique. I use these resources in my lessons and in my own development. I have better technique today than I did 5 years ago and I will have even better technique 5 years from now if I continue to refine the concepts learnt from within these resources:

1) Playing With Sticks (DVD) – Jeff Queen (Hudson Music)

– There’s a segment where he explains the concept of “Velocity” in a very clear, common-sense, way. Although catered mainly to marching ensemble drummers , everything discussed in this DVD can be adapted to drumset playing as well.

2) The Next Level (Book) – Jeff Queen (Hudson Music)

– There’s a chapter devoted to “Velocity” along with other very comprehensive technical topics that can be employed by any drummer. 

3) A Natural Approach To Technique (DVD) – Joe Morello (Hot Licks Productions)

The late, great Joe Morello was one of those drummers who had the greatest technique in the world. In this DVD, he breaks down all the technical concepts with simple language, lots of wisdom, and dashes of humour.

4) Great Hands For A Lifetime (DVD) – Tommy Igoe (Hudson Music)

I use “The Lifetime Warmup” routine included in this DVD package in my daily practice. Very inspiring and challenging!!

5) Bass Drum And Hi-Hat Technique (DVD) – Michael Packer (Hal Leonard)

This instructional method helped me improve my feet on the bass drum and hi-hat pedals. 

Many of my students benefited from working on these methods in their lessons with me and in their private studies too!

Thank you for reading this post, I hope it will at least provide food for thought when you assess your technique.

Drum Lessons by Jason Cruz – Summary Info

Dear Reader,

If you are coming to this page to find out more about my drum lessons, I have summarized the information for my drum lessons for your convenience, and will link this post to other posts under the Drum Lessons section of this blog that will give you more details into the course structure of my lessons, as well as my teaching background and philosophy.

Professional Status: Private Drumset Coach and Freelance Performing Musician

No. of Years of Teaching Experience: 9 years

Past Schools Taught In: Yamaha Music School, Ossia Music School, and Rhythm House

I am well versed in the following musical styles: Rock, Pop, Jazz, Funk, R&B/Soul, Traditional and Contemporary Blues, Fusion, Latin, Reggae, Country

Certification: Trinity/Guildhall Drumkit Grade 8

Current Teaching Location: 342A King George’s Building, King George’s Avenue (Lavender).

Contact Information: 98291901 (SMS or Whatsapp) treshombres6@gmail.com (email)

Social Media Links:

FACEBOOK: https://www.facebook.com/jasoncruzdrums/

INSTAGRAM: @jason_cruz_drums

YOUTUBE: “Dogdrum” channel

Rates:

$60/- for a ONE TO ONE 60 minute lesson

$50/- for a ONE TO ONE 45 minute lesson

$55/- per person for a PAIR lesson (60 minutes only)

$30/- for a trial lesson (45 minutes to 60 minutes)

(more…)

Contact Information For Hiring Me As A Session Drummer For Studio Recordings And Live Gigs

Hi all,

Here’s how you can reach me for the above

Tel: +65 98291901 (also available on whatsapp)

Email: treshombres6@gmail.com

Studio Recording:

S$100/- per song (not inclusive of hiring the recording studio and engineer’s fees) / S$90/- per song if you are hiring me to cut for an EP and upwards (4 songs and above).

Student Projects special rate: s$85/- per song (not including studio and engineer’s fees).

All drum tracks will be recorded at either a studio of your choice or at a studio recommended by me that can offer the best service and do the best job according to your budget.

I require in advance of the tracking session:

– A backing track in WAV format with a click track on either the left or right channel

– A lyrics sheet if there are lyrics and/or chord chart.

We will communicate via email or in person to discuss your songs to be recorded and you are welcome to be present at the tracking session.

I take the recording arts very seriously and am totally committed to giving you high quality drum tracks that are well played and produced. I have an assortment of different snare drums and cymbals to better tailor the drum sounds to your music. Contact me for more information.

Live Gigs:

Interested parties wanting to hire me as either drummer or percussionist (Cajon with percussion accessories setup) for their live gigs can contact me via the email and mobile no. appended above. I will only accept gigs that pay according to current market rates (S$180 minimum for 3 sets / S$250 minimum for Events). I can handle all styles excluding contemporary Metal.