drums

In Depth Review: Two Drumkits under USD 800.

Link: https://www.youtube.com/watch?v=zbO1VW6juRw

This review by Drum Center of Portsmouth (US) is probably one of the best I have seen on YouTube comparing similarly priced drumkits of different makes.

Having owned two Tama kits in the past and currently a Ludwig, this review hit home for me.

I like the Ludwig sound better, which is why I decided to play Ludwig drums for life, but Tama is by no means a slouch in the quality and great sound departments. The Ludwigs, however, that certain “snap” that I do not hear in other brands. The response and sensitivity is so immediate with a Ludwig kit, even at the entry level.

Both kits reviewed go for under USD 800. Swee Lee music in Singapore carries these two brands – for those looking to upgrade from their entry level kits, or even for the uninitiated looking to invest in their first acoustic drumkit and are willing to fork out abit more cash for a kit that you will have no qualms about using it for live gigs.

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Wise Words From Ian Paice

I just re-read a feature interview from the October 2014 issue of Modern Drummer magazine with the legendary drummer from Deep Purple, Ian Paice. He’s a huge hero of mine.

Here’s what I think is a great piece of advice for younger drummers that he shared, given his 50+ years being a professional musician in one of the iconic Rock bands of the world:

“If you like playing drums, do it because it makes you happy. If you can find a few friends around you, form a little band. If it goes somewhere else, treat it as a bonus. When we started, we never thought that it would be our careers. We were just kids having fun, and that was enough. For the few of us who had it and had the luck, it became something else. I’ve said before, success is a strange thing. You go chasing it and you won’t find it. But if you stay true to yourself and enjoy yourself and make yourself happy, you might find that success taps you on the shoulder from behind. But you can’t force it.

There are some fantastic young players around the world, and it seems that the industry’s against them. They can’t be pigoenholed; they can’t be put into little pockets of music. The industry doesn’t want to be bothered. Play what you like, play what makes you smile, play from your heart, and just keep on doing it and enjoying it. And if you never leave your garage – if your drums stay in your garage and you just batter the crap out of them – the very least you can do is make yourself smile, because you still have something that most of the world doesn’t have or understand.”

– IAN PAICE, DRUMMER FOR DEEP PURPLE, AND ROCK LEGEND.

Wise Words From Stewart Copeland

This instalment of “Wise Words” features an excellent quote from the game-changing Stewart Copeland, who once drummed for a mega Rock band, The Police, and is one of my all-time heroes.

Here he talks about the mechanics of playing successfully: Playing the music and not worrying about your technique or the mechanics of your instrument.

You once talked about “playing outside your instrument.” When did you come up with this idea, and can you speak about what it means to you?

“It came to me when I was playing polo – you ‘play outside your horse.’ If you’re thinking about your horse and your equestrian skills, and things like proper riding and hitting the ball, let alone playing the game and putting your horse in the right place on the field…

“See, you shouldn’t even be thinking about the horse. You have to be outside the horse. Your body and horse are one. You shouldn’t be thinking about riding. You have to think, ‘Here’s the ball. I need to get it there. I need to stop that guy from getting to the ball. Uh-oh, there’s a pass and that’s where I gotta be.’ When you do that, you’re thinking outside your horse. You’re playing the game.

“Put this to music: The mechanics of playing an instrument should be furthest from your mind. You’ve got to think outside your instrument, play outside your instrument. You’ve got to think about the music: ‘What is the music? Where are the other players are? What’s going on? Where’s the groove?’ – things like that. What drum you’re hitting, what your technique is – that should be completely subliminal.”

Complete interview at: http://www.musicradar.com/news/drums/stewart-copeland-on-the-police-drum-solos-rush-double-bass-pedals-and-more-546175

David Bowie: The definition of Cutting Edge in music

The music world has lost a game changing hero.

In these past two days since discovering the news of his all-too-sudden and shocking death, I reflected on what David Bowie’s music means to me – how it affected and influenced my musical path and life.

One thing is for sure, he was a great Rocker who wrote some really cool Rock songs that I would listen to right beside my other favourite Rock artists (most of whom are 70’s acts). The riffs and the grooves spoke to me right away. The lyrics were poetic.  It challenged my understanding of what Rock music could be. These are some of my favourite Rock songs by David:

Space Oddity, The Man Who Sold The World, Rebel Rebel, Suffragette City, and Jean Genie.

Just as I thought he was a cutting edge Rocker, he came up with a cutting edge Dance-Pop album called Let’s Dance. It’s one of my top favourite drumming albums and I used to play along to all the tracks on my drums.

David Bowie again challenged my notion of his music when I heard the gorgeous “This Is Not America”. He collaborated with the Pat Metheny Group, themselves a cutting edge Jazz-Fusion band, and the result was a piece of music with such a stunning ambience and truly moving/reflective lyrics.

David Bowie delivered one final album masterpiece called Blackstar. Even in the face of death, not one iota of his staggering creativity was lost. No stone was left unturned thematically, and even his death became such an artful exposition on the track, Lazarus. Some peope dismiss it as a gimmick to sell records. To that, I simply say, don’t listen to the record then.

It is no surprise to me by now that David Bowie could make truly powerful and moving art out of any theme, object, storyline in his music. He knew who he was and where he stood artistically. He never compromised on his artistic vision but his genius lay in his ability to make that vision assessable and commercially viable. How does one do that? Unfortunately we won’t have David around to show us the way, but we still have his music – his greatest message.

Rest in peace, Major Tom.

 

 

New Album Out: Sunny Deo And The Ninth Order’s Mystic String

Hope your new year started off on a good footing.

It’s with great pride that I announce the release of a newalbum that I worked on between the fall of 2014 and May of 2015. It’s called Mystic String and it features a diverse set of 10 songs which run the gamut from Pop to Rock to Jazz to even abit of World Music.

Working on developing the song arrangements with the band and producer as well as recording the drum tracks are certainly two of the greatest highlights in my career so far. I learnt so much more about recording with greater precision and consistency from working with a grammy-nominated producer, Duke Purisima, who presided over the production of this album; and grammy-nominated recording and mixing engineer, Jerry Chua, who designed the sound of this album. Jerry is also a very well respected drummer, thus alot of scrutiny was naturally placed on my performances!

All in all, this album captures some of my best drumming in the studio so far in terms of creative drum parts, versatility with different styles, time, feel, and consistency. I certainly look forward to doing another album with this band and this production team.

Here’s the link to previewing the album online and purchasing it as a digital download:

http://www.cdbaby.com/cd/sunnydeoandtheninthorder.

Feel free to give me your feedback on the album!